In the decrepit, doddering Joe Biden era, the odor of decay, decadence, and borrowed glory from the entitled ruling class is the order of the day based on what was seen at last night's Met Gala, "the party of the year," according to the New York Times.
Nobody embodied that better than Rep. Alexandria Ocasio-Cortez, who wore a custom-designed white evening gown graffitied with "Tax the Rich" in red spray paint on the back of it, just perfect for an event brimming with the super-rich. She knows they like that "beat me, beat me" vibe and blathered to a credulous press about being there to show "what it means to be working-class women of color at the Met." Maybe she could have consulted the dark-skinned women at the sidelines, forced to wear masks as she was not, about that one.
Here she is preening and showing it off for the cameras, every inch the center of attention:
Look at the court lackeys batting around Ocasio-Cortez and fussing with her gown as she makes her "statement" with her at the center of attention. Sound as if she's the poor working-class brown Latina she claims to be "representing"? You decide.
The message is a lulu, too. Tax the rich? In a room full of some of the richest celebrities in America? Where a ticket to the event can set you back $35,000 and the menu consists of a Tom Wolfeanlist of "black rice porcini arancini with pumpkin Calabrian chili sauce, watermelon tart with smoked yuzu soy on Manipuri cracker and collard greens hot chow served on coconut buttermilk cornbread," and "creamy barley with corn, pickled turnips, and roasted maitake, all served on dinnerware from Tory Burch's handpainted Oiseau collection"? It's like the list of canapés contemplated by Leonard Bernstein in Wolfe's Radical Chic, published in 1970, or the gross-out list of junk foods presented by the Rev. Al Sharpton–like character in its companion piece, Mau-Mauing the Flak Catchers. Sure, it looks like Versailles. But an even better comparison seems to be in the work of Tom Wolfe, who lived to pick apart such hypocrites in the '60s and '70s. The decadent dynamic is identical.
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